現在、LEDディスプレイの使用は非常に広く、多くの段階でLEDディスプレイを設計時にLEDディスプレイの壁として使用します。 LEDディスプレイウォールの使用は、中央の大画面-エリアと両側のセカンダリスクリーンの初期の方法から、パノラマビデオウォールとオムニ-指向性立体視の包括的な利用に徐々に移行しています。ビデオウォール。 過去には、CCTVだけが構築する力を持っていました。LEDステージは、多くの地方および地方自治体のイブニングパーティーに徐々に登場しました。 Jinan LEDは、LEDスクリーン壁の使用に関する設計提案を紹介します。
(1) In the early stage of stage design, set up a "big vision" team to jointly carry out creative work. The author has communicated with many large-scale performance teams in Hong Kong, Taiwan and abroad. These experienced creative teams will form a creative team including stage design, video design, lighting design, program director and other professionals at the beginning of the project. From the beginning of the creation of the program, professionals of various types of work will be deeply involved in it, and the determination of every idea will ensure the high degree of practicability of technology at all levels. Compared with the process in which most domestic production teams first determine the program ideas and content, and then let the surrounding types of work participate, the work method of forming a "big vision" team at the beginning is more conducive to the consistency of the final presentation of the program, allowing various artistic means. A high degree of unity is one purpose that guarantees the final visual and artistic effect of the show.
(2) Treat the video stage beauty as part of the program content, and let the video stage beauty serve the program instead of the program serving the video. Many program creation teams are often accustomed to doing additions when creating programs, hoping that the program performance on the stage and the background video choreography will take on more functions, so as to achieve the effect of one plus one greater than two, but the reality is often just the opposite. The characteristics of the stage performance determine the positioning of the video stage art to serve the program. The idea that a program has multiple functions is unrealistic. If the final performance effect is to be ensured, the video stage art is destined to be in the subordinate position of the stage show performance, rather than taking the lead. Whether it is video color tone, motion speed, picture brightness, it must obey the requirements of the overall atmosphere of the program to ensure that the program content and the video "speak in the same language".
(3) Video stage production should not seek "big" and "dazzling". At present, many large-scale party organizers in China are pursuing the grandeur of the scene and the novelty of the stage elements, which is understandable, but in the actual production, blindly pursuing "big scene" and "dazzling feeling" does not mean good-looking. The overall stage atmosphere of the party should pay attention to the sense of rhythm, and it can achieve ups and downs. There are both big scenes and small artistic conceptions to attract the audience to follow the rhythm of the show and continue to watch. Otherwise, it will bring negative effects of visual fatigue. All in all, the application of video choreography in large-scale evening parties is still a relatively new topic in China. How to study the application of video choreography from the perspective of the overall effect of the party is the top priority for the innovation and development of choreography in the future.
